Sometimes the design scene…, Nontsikelelo Mutiti is a Zimbabwe-born interdisciplinary artist and educator who works across fine art, design, and social practice. To an extent, we are still teaching a version of the Bauhaus, which comes from a particular place in a particular time within a particular history. Mutiti co-founded…, While diversity and inclusion might be ubiquitous terms in the mission statement of any progressive university, these words alone do…, Letterforms are loaded cultural objects—they often reflect the people who made them and the story they want to tell. To many, social media and education may seem like unlikely bedfellows. Join us in Minneapolis this fall for the 2017 AIGA Design Conference. Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite. 2,082 Likes, 7 Comments - AIGA Eye on Design (@aigaeyeondesign) on Instagram: “ Helping communities bloom. Of course, you see static images on Instagram, and they’re designed to be legible and bold at the small scale of a phone frame. Get the latest on our upcoming AIGA programs and events by signing up for our newsletter! Map the trai Instagram really values that end product. If not, why is it not working? Now our question is, “How do we do this type of design thoughtfully?” What I find concerning is when students do these mashups of appropriated material without asking critical questions about how these narratives are coming together, and how they influence one another. Carbon-tracking Apps are Designed to Foster Responsibility. Dive into "Invisible," 160 pages of stories that reveal the code, data, and grids lurking behind our designed interfaces. There’s so many other people that you can connect with and find guidance from as you develop your own work. Maybe they come with very polished images at the end, but for the majority of my students, if they’re not posting selfies, they’re posting pictures of process, and their community is responding. I teach sophomores, and I can see that it’s challenging for younger students because there’s a level of performance anxiety. Dori Tunstall: The platform has been an important tool for me in making the position of the dean more accessible. Eskinazi: Platforms like Instagram are shaping the way we tell stories and changing the way we construct narratives. AIGA Mobile is pleased to announce that our annual Flourish: Emerging Designers Conference is going virtual and will take place via Zoom Web Conference on Saturday, March 27th, 2021 from 9 am–2:30 pm. Facebook Critics, moms, and check-out clerks agree it’s the #1 hottest indie mag of the season. As an educator, my point of view had been always to accept this fact and say, “Okay, this is how the world is right now, this is what the new generation of designers are given. What are the boundaries of homage versus appropriation? Brand identity for @meruteria, a collective party based in … New Members . We explore how the influx of notifications, screens, and unread emails are shaping the way we think, and we probe how distraction can be a form of escapism and a necessary element in any creative process. I recently read an article on the history of the poster. TYPE_BREAK is an analysis of letter fragmentation, a concrete poetry concept book by…” 1,385 Likes, 3 Comments - AIGA Eye on Design (@aigaeyeondesign) on Instagram: “ Simple, sweet, and pretty complicated. And when used inside of an educational context, it can help forge connections—between people, between styles—and grant access to designers and aesthetic traditions that fall outside the often limited range of the traditional canon. Platforms like Instagram are super sleek, and it doesn’t really allow for that the friction needed to ask critical questions. What are the boundaries of homage versus appropriation? This year, we explored protests through a design lens. Obed Gonzalez. I explain what I’m wearing and what I’m doing during the day. 10.3k Followers, 892 Following, 143 Posts - See Instagram photos and videos from Hollywood.com (@hollywood_com) One thing I’ve noticed as an overall trend is that form used to be something that you experienced in a moment. Over the course of our partnership, we have grown the AIGA Eye on Design social audience to over 670,525 followers and driven sales to their magazines, digital subscriptions, and various editorial projects. I agree. It always comes from a time and a place and a politics that you have to engage with in order to figure out how you can best be respectful. ‼️ ‼️ Designed by @thinkingroominc, Conjunglyph is an … 2017-10-11 00:00:00 2017-10-11 21:00:00 America/New_York 2017 AIGA Eye on Design Conference Nicollet Island Pavillion AIGA Las Vegas Chapter Join us in Minneapolis this fall for the 2017 AIGA Design Conference . It also goes deep into the questions of “What does a certain use of a typeface or a drop shadow say about your work? Dédale Emerged from the Paris Catacombs to Conflate Font Design With Human Mortality. AI is still coming, of course—it’s just…, Wedged between white paper folders at MIT’s Art, Culture, and Technology (ACT) archive, there’s a curiously emphatic black binder coated…, This roundtable interview was first published in Eye on Design Magazine, issue #05: Distraction. With more than 90 speakers and thousands of attendees, it's sure to be an unforgettable experience you won't want to miss! It’s been extraordinarily successful in terms of having an ongoing dialogue. Pointing out that particular practices come from a time and a place and a history. But when you have a strong discourse around decolonization in the classroom—what it is, what it means, and how it relates to indigenous appropriation and misappropriation—you’re encouraging students to question what it means to engage with and use something respectfully. This year, we explored protests through a design lens. For over 30 years, the web has served as a breeding…, Writing about design is never just writing about design. Form doesn’t come from nowhere. Eskinazi: But there’s another side to that as well. It was interesting to think about a certain cultural moment in time when posters in England were specifically for making pronouncements. It encourages people to use more found material, and, in a sense, puts less of an emphasis on originality. Nov 19, 2019 - 4,213 Likes, 15 Comments - AIGA Eye on Design (@aigaeyeondesign) on Instagram: “ Colorblocking + cultures. It privileges quantity over quality, and in that sense, it’s hard to bring the conversation back to, “What is this work really saying?” That’s been the biggest challenge for me, to pull students back from it a bit and make them understand that design is actually a process and not just the end product. But this heightened sense of criticality that we’re talking about tries to go beyond just reading an image. What factors led to it looking that way? We asked writ... ers living in, or with connections to, four different countries to consider design’s role in a revolution. The professional association for design. YuJune Park is a professor and associate director of BFA Communication Design at Parsons School of Design and a co-founder of Synoptic Office. Share: Twitter Tunstall: I do think it’s a very powerful tool for flattening the hierarchy. On Instagram he’s @cemeskinazi. So how can we work with what we have?” But it also requires a new heightened sense of criticality. And we’re an extraordinarily privileged school in many ways. Park: It’s making the design community both more localized and more globalized. In Eye on Design #05, the “Distraction” issue, we look at how design influences entertainment, technology, work—and your ability to pay attention to it all. Formal design education is mostly localized, taking place inside of institution walls. Tunstall: But when you have a strong discourse around decolonization in the classroom—what it is, what it means, and how it relates to indigenous appropriation and misappropriation—you’re encouraging students to question what it means to engage with and use something respectfully. In every historical moment there’s been a platform for self-promotion, with the goal of communicating to the widest audience possible. Formal design education is mostly localized, taking place inside of institution walls. I tend to frame this under the discussion of style: When students see a typeface they like, or a particular form pop up on Instagram, they may think it looks cool and decide to use it. What social, political, and cultural factors merged to create a style like that? AIGA Eye on Design | Eye on Design covers the best new work from the world's most exciting designers—and the issues they care about. the professional association for design. Instagram at least gives the chance for everyone to be invited to the table. Join us in Minneapolis this fall for the 2017 AIGA Design Conference. Contributor. I would like to see more research and unpacking of why a form looks the way it does. Dive into "Invisible," 160 pages of stories that reveal the code, data, and grids lurking behind our designed interfaces. It’s been extraordinarily successful in terms of having an ongoing dialogue. It’s kind of like objectifying design. You see that on Twitter, too, in the form of conversations, but on Instagram you see it really strongly in regards to visual media. ⁣⠀ #graphicdesign #typography #posterdesign #color #designstudio #eyeondesign ⁣⠀ 2017-10-11 00:00:00 2017-10-11 21:00:00 America/New_York 2017 AIGA Eye on Design Conference Nicollet Island Pavillion AIGA VERMONT Join us in Minneapolis this fall for the 2017 AIGA Design Conference . We also try to assign projects that ask students to make things for Instagram so that we can bring the platform into the critique, take it seriously, and ask higher-level questions. This year, we explored protests through a design lens. It’s amazing to see communities of color finding their own artistic community on Instagram. 2017 AIGA Eye on Design Conference 2017-10-11 00:00:00 2017-10-11 21:00:00 America/New_York 2017 AIGA Eye on Design Conference Nicollet Island Pavillion AIGA Cincinnati Join us in Minneapolis this fall for the 2017 AIGA Design Conference . Pointing out that particular practices come from a time and a place and a history. Laudon studied Fine Art in Painting (Gerlesborgsskolan), earned…, In 2001, students at the Harvard Graduate School of Design, under the direction of architect Rem Koolhaas, published The Harvard…, Benedetta Crippa is an Italian designer living in Stockholm, where she works as lead designer at Stockholm Environment Institute, teaches…, Last August, Greta Thunberg crossed the Atlantic from Europe to the US by solar-powered boat, with the Fridays for the…, In the United States, the presence of the universal recycling icon on a product might lead an unassuming consumer to…, As designers, the work we create can unknowingly perpetuate certain ideologies that have destructive consequences. Or they won’t know it’s going on until they see the stream, and then they’ll show up later. “Platforms like Instagram are super sleek, and it doesn’t really allow for that the friction needed to ask critical questions.”. We live in a mashup world—that’s how we interface with content now. Putting aside my own concerns about what this says about our society, I do find Instagram to be helpful in terms of building community and being able to share feedback in a way that oftentimes feels more open and honest than what my students might be willing to say in person or in class. I have them create an Instagram account just for our class, and then use it to post daily progress on projects. So let’s unpack that and then bring in alternative perspectives. Scratch our heads over the whole Universal Basic Income thing. We’re now beginning to dismantle and deconstruct it, but students still feel a very real pressure to be like European designers. That’s so all of my students understand what the role of the dean is within the institution, and hopefully it helps them to navigate the system of the institution a little better. Dori Tunstall is the dean of the faculty of design at Ontario College of Art and Design (OCAD) University and a design anthropologist. On Instagram she’s @synopticoffice. What’s a week…, The first three dimensions—length, height, and depth—are included on all topographical maps. Take the African diaspora, for example. He lives in Providence, Rhode Island. Inspired by music. Plural manages AIGA Eye on Design’s Instagram, Twitter, Facebook, LinkedIn, Pinterest, and Giphy. Email, Chronology is so ubiquitous that it seems almost natural. Platforms like Instagram are super sleek, and it doesn’t really allow for that the friction needed to ask critical questions. Eye on Design #03 is packed with stories about how design is shaping the way you communicate—truthfully, salaciously, and otherwise. The best new work by the world’s most exciting designers—and the issues they care about. Teaching has changed so much even in the 15 years since I’ve been in school. Supporter. I find it to be more interesting when it’s used almost like a phonebook—a way to connect with other people. Their “dispatches” were published this summer Writer Louise Benson spoke to artists about the power of illustration amid the ongoing unrest in Hong Kong > aigaeod.co/2BVdFFu Designer Tala Safie explores … The…, Dark patterns are as old as the internet itself. Technology Sponsors. To some degree, Instagram is your digital portfolio in your pocket. The Design “Collaboration” Platform That’s Gone Viral, Reaching for Resilience in the Time of Covid-19. There’s so much more room for different voices, and I find that incredibly exciting. For my generation and the generation that’s getting educated right now, the prominent style of design is very appropriation-based and reference-heavy. One important aspect of the work that I do is helping people recognize that there are multiple modes of excellence in different cultural aesthetic traditions. AIGA Eye on Design on Instagram: “ Simple, sweet, and pretty complicated. AI Has a Real Environmental Impact—Here’s How Designers Are Handling It, The Difference Between “Eco-friendly” and “Resource-efficient”—and Other Lessons from Design Educator Mariana Amatullo. At Parsons, we have limited shared design labs, but we don’t have desk space for every student. iKit design and development: W&CO The best new work by the world’s most exciting designers—and the issues they care about. Right. You see more of this collaging and appropriation of styles, and a mashup of visual styles together in one design, because that’s how we consume content now. AIGA Eye on Design | 90,719 followers on LinkedIn. Today, Instagram has become that. Is This a Flaw? When it comes to graphic design, it favors polished end products over the messiness of process and the realness of failure. What social, political, and cultural factors merged to create a style like that? 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